We are being presented information in a matter of fact manner, which dilutes the melodrama, but plays up the realism of the facts.
Things with poor Naz continue to get darker for his circumstances.
The attention to detail continues to impress in the writing, directing, and acting department.
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In life, his four-octave voice – since studied by scientists in an attempt to unlock the secrets of its intricacies and awesomeness – raised the bar for what a rock singer could be.
In death, he gave voice to the millions suffering from AIDS.
Kudos to co-creators Price and Zaillian for staging this scene in the most subtle of manners to create a haunting quality to their interaction. Day goes on to quote a verse from the Bible (which refers to the episode title of Samson and Delilah), which alludes to the wicked ways of women towards men.
The conversation leaves Chandra rightfully shaken, with Stone warning her to not go down this path and to let him do the questioning if need be.
But utterly dedicated to what he felt was important, which was making music." Born Farrokh Bulsara in the British protectorate of Zanzibar, Freddie's oversized talent was matched only by his flamboyance and exuberance.
These qualities merged to create masterpieces of the group's songbook, and some of the greatest live performances on record.
The role of women on the show is an interesting one because we are seeing a wide range of portrayals, from victim (Andrea) to crusader (Chandra) to morally questionable (Helen). Day and Chandra conveys the predatory nature of men towards women in a disturbing manner.
What it also highlights is how we’ve been seeing the transformation of Chandra from a novice attorney to getting to play in the big leagues, which she stumbles at times, but always pushes forward.
The defense, Stone and Chandra Kapoor (Amara Karan) and the people, Helen Weiss (Jeannie Berlin), gather their evidence to present to the jury.