At the same time, her fame alienates her from normal human interactions and relationships.This sentiment is perfectly encapsulated in some of the record’s final tracks — “Young Lover,” “Slow Disco” and “Smoking Section.” “Young Lover” is everything a pop rock track should be.Some listeners were afraid that “MASSEDUCTION” would be an unnecessary pivot away from everything that made St. Abandoning the guitar-heavy foundation of her prior work for modern pop conventions was a risk which ended up paying off in the end.
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She was catapulted to the front of the indie rock scene after garnering immense critical acclaim for her first four albums — including a Grammy Award in 2014 for Best Alternative Music Album for her self-titled release — all while maintaining a low public profile.
In the beginning of her career, she was famous for her impersonal lyricism and giving out very little information about her private life.
Influenced equally by bands like Sleater-Kinney and Bikini Kill and jazz greats John Coltrane and Sarah Vaughan, Clark named her music project after a Nick Drake song about the poet Dylan Thomas dying in New York City's St. Clark's inventive, intricate music is featured most notably on her recent, self-titled fourth solo album and on her current concert tour.
Here, she talks with Lisa Robinson about life on the road and her background, clothes, and music.].
Once this hedonistic lifestyle is stripped away, people can finally recognize who their real friends are and what their relationships mean.
Rarely has a recent pop album explored so well what it means to be a pop star in the modern age.
However, a peek under the surface gives way to all the artistic nuance used when creating the album.
The record’s shallow facade represents the relentless pursuit of base pleasures that American culture values so much in the 21st century.
“MASSEDUCTION” — pronounced “mass seduction” — eschews her previous noisy, art rock tendencies in exchange for a more synthpop-leaning sound.